Decentralization of the yellow vest movement
Yellow with dark blue. Yellow tone is also divided into several, but each different tone of yellow, the feeling is different. This kind of ginger color shows skin color and is fashionable. It's most suitable to match with dark blue. It's really visual impact to match these two colors together! It gives people a super fashionable feeling. Many fashion talents like this kind of color matching
yellow shows skin color, but the brighter yellow is more suitable for people with very white skin. Yellow is a warm color, which gives people a gentle and comfortable feeling in summer. Yellow is not a good color to match, but as long as you choose the right color, it can match perfectly
{rrrrrrr}
extended materials
yellow trousers are bright and conspicuous, and the matching coat belongs to light color, such as white. White color can be matched with any color, without any sense of violation, giving people a fresh and clean feeling, especially yellow trousers with white coat, inexplicable high-level temperament, It looks very natural and comfortable, and it's an enring color matching technique
if you feel that it's difficult to choose a matching top for yellow pants, you can choose the basic color matching principle, and the black color matching is classic, so there is no mistake, because the original color of yellow pants belongs to bright color, so try to avoid the mistake of double bright color when matching the top. Yellow pants match the black top, which is a bold and temperament matching demonstration, Color matching will not be mutually exclusive
the "yellow vest" protest movement in France is a spontaneous and unorganized movement with no very clear demands, but it has been strongly supported in rural areas. It all started with the rise in gasoline prices caused by rising oil prices and green taxes
according to the Zhitong finance app, in France, taxes account for about 60% of the gasoline price. When consumers buy 1 liter of gasoline, crude oil accounts for 60 euro cents, transportation from refineries to gas stations accounts for 10-20 euro cents, domestic consumption tax on energy procts accounts for about 1 euro, and finally there is a 20% value-added tax
the protestors openly opposed the introction of a green tax by the government of makron, which amounted to 55 billion euros ring his presidency, because it directly limited their purchasing power. In fact, for the first time, France's consumer pressure index has reached its highest level since September 2014, mainly e to the French government's tax increases (Social Welfare tax, social security tax and tobacco and fuel tax increases) in January last year
the increase in taxes and fees has greatly restrained French consumption in the first quarter of 2018. If the government does not postpone the increase in green taxes (originally scheled to be implemented in the first quarter of 2019), consumption will be reced again in the future when the economy is getting weaker and weaker (e to slower economic growth and higher oil prices)
however, if the yellow vest movement is regarded as a protest against taxation, it will be a blind spot. The real problem behind this is the growing division between urban and rural areas. In the past 40 years, public policy in France has mainly focused on five or six important central cities, and completely abandoned rural areas. Rural residents do not enjoy public services, the unemployment rate is rising, and even transportation
some analysts believe that the French government will pay a high price for not taking measures to solve these protests. One of the main reasons for populism is the disconnection between urban residents and abandoned rural residents. These protestors are not fundamentally against green taxes. They support ecological transformation, but they can't afford to raise green taxes when they have no money to spend by the end of the month. The idea of "startup nation" of makeron is not suitable for these rural people. What they want is to make a living by working, and they can feel that they are still part of France. It's not clear whether the far right or the far left will win the support of these "yellow vests" in the future, but we can be sure that this is an important turning point in the term of President makelong.
there is a specialty store called "Oriental Sports" on Tianyaoqiao Road, opposite to Century Lianhua under Shanghai Stadium, It's selling Nike and Adidas ~ ~ shoes are often discounted ~ ~ and the discount is quite large ~ ~ adidas shoes are basically 50-60% off ~ ~ nike shoes are smaller ~ ~ this is an authentic specialty store ~ ~ not a private store ~ ~
there are many large department stores in Xujiahui business district, But recently, e to the financial crisis, there has been a great increase in discount promotion efforts compared with previous years. LZ, you can pay attention to whether there are any promotion activities of "full XX free XX" and "full XX minus XX" in these stores recently ~
finally, I wish LZ the best of luck Happy shopping ~ ~
long live discount ~ ~ long live cabbage!!!
the origin of modern cheongsam
at the beginning of the 20th century, it was popular to wear a short jacket with trumpet shaped wide sleeves, and a waistcoat without sleeves, which was placed back and forth to the ground. Since then, the cheongsam has made some changes in the edge, sleeve, lapel, collar and so on, adding decoration, resulting in complex changes. But it still keeps the straight and broad style of the old style cheongsam vest, and adopts the traditional straight cutting method, which can not reveal the slim figure of women
in the late 1920s and 1930s, the length, width, slit height, sleeve length and sleeve length, collar height and collar height of cheongsam changed repeatedly. In 1929, under the influence of European and American short skirts, the original Qipao of moderate length began to become shorter, the hem narrowed to the knee, and the cuffs became shorter and smaller. Later, there were school uniform style cheongsam, with the hem shrunk to 1 inch above the knee and the sleeves in western style. This change was criticized. After 1931, the cheongsam began to grow longer and the hem sagged. In the mid-1930s, when it reached its peak, the bottom of the robe fell to the ground and covered both feet, which was called "sweeping cheongsam". The sleeves of the cheongsam, which used to cover the wrists, were shortened to the elbows. After that, the sleeves became shorter and shorter, shrinking to two inches under the shoulders. After 1936, they were almost sleeveless
in the Qing Dynasty, the cheongsam had no slit, and when the cheongsam shortened its sleeves, it also quietly opened its low slit on the left side. Later, the underpants opened higher and higher, graally reaching the knee to the thigh. Because of some people's objection, the underpants once returned below the knee. However, as soon as the pressure of public opinion decreased, the slit of cheongsam increased rapidly. After 1933, cheongsam with large slit was popular
the traditional cheongsam is a straight line with a high collar. In the early 1930s, the waist began to shrink day by day. After 1934, the curves of women's figure finally showed up. The collar, which is high and can reach the ears, has graally become shorter, and later some have become collarless cheongsam
the origin of Manchu Qipao
ring the reign of Shun (1644 A.D.), the emperor Shizu of the Qing Dynasty entered the pass, established the capital of Beijing, and then unified the whole country. With the initial stability of the regime, it began to force the implementation of shaving clothes, which set off a massive bloody killing. So far, almost all the traditional costumes of Han nationality were forbidden to wear. It is said that the shape of the thousand year old jacket and lower garment of Han nationality was only retained in the clothing of Han women at home. Robes should be worn on both men and women's occasions. There are many kinds of robes, including court robes, dragon robes, boa robes and regular robes
according to the meaning of the word, Qipao generally refers to the long robes worn by the Qi people (both men and women). However, only the long robes worn by the women of the eight banners have a blood relationship with the later qipaos. The dynasty robes and mang robes used as formal dresses are not included in the category of "Qipao". From the bans issued repeatedly in Shun and Jiaqing years, it is popular for Manchu women to imitate Han women's dress. In the late Qing Dynasty, some Han women imitated Manchu costumes. With the integration of Manchu and Han women's dress styles, the differences between the two sides are becoming smaller and smaller
in the late Qing Dynasty, the long robes worn by flag women were broad, straight and stiff, and ankle long“ "Yuanbao collar" is widely used. The collar is high enough to cover the gills and ears. The robe is embroidered with various patterns. The collar, sleeve, skirt and skirt all have multiple wide hems. During the Xianfeng and Tong periods, the inlay rolling reached its peak. Some of the clothes were even inlaid with lace, so that it was almost impossible to identify the original materials. At that time, in order to save the country from crisis, the Westernization School of the Qing government put forward the strategy of "middle school is the body, Western learning is the use", and sent a large number of students to study abroad. In China, the first Western-style students' input of calisthenics, hats and dresses provided another reference system for judging beauty, which directly affected the change of social clothing concept. In the future, the cheongsam evolved into a new style integrating Chinese and Western styles, and its change under the influence of the west can be said to be the beginning< In 1911, the revolution of 1911 overthrew the last feudal dynasty in Chinese history, which removed the political obstacles for the popularization of western style clothing in China. At the same time, the traditional strict ethics and the concept of weathering were put aside, and the shackles of hierarchical clothing system were lifted. The free change of clothing towards civilian and internationalization has come naturally, and the traditional heavy burden of cheongsam has been relieved. The old style of Qinu robe was abandoned, while the new style of Qipao began to emerge in the troubled times
at this time, the fashion center had already moved from Su and yang to Shanghai. Shanghai is also an important city for women to seek liberation. Missionaries, businessmen and revolutionaries competed to set up women's schools, which set off a wave of women's rights movement. The social atmosphere of seeking liberation was to clean up the stereotypes of dress and make-up, tend to be concise, strive to be elegant, and focus on the embodiment of women's natural beauty. Cheongsam was originally in the form of vest, which was long enough to reach the back of the foot and was added to the jacket. Later, the long vest was changed into a sleeve style, which became the prototype of the new cheongsam. It is said that Shanghai female students, who were the first in fashion, were the first figures of the popularity of cheongsam. At that time, female students, as the representatives of intellectual women, became the ideal image of the society. They were the symbol of civilization, the leader of fashion, and even the celebrities and fashionable figures in the society all dressed up as female students
the 30's and 40's were the peak of Qipao. At this time, the improved Qipao absorbed the western style cutting method in structure, making the body more fit. Although Qipao was born out of Qingqi women's robe, it was different from the old system and became the modern Chinese women's standard clothing with Chinese and Western clothing characteristics
the cheongsam originated from the cheongsam, and Beijing is the place where the cheongsam live most, so until the late Qing Dynasty and the early Republic of China, the cheongsam belongs to the Beijing culture. Qiren's robes in Qing Dynasty include men's robes and women's robes, but because Qipao is women's dress, it can also be said that Qipao originated from QINV's robes. At the beginning of the Qing Dynasty, the relatively thin, long, tight, narrow sleeves and simple robes of flag girls had become wide and complicated by the end of the Qing Dynasty. After the revolution of 1911, most of the cheongers abandoned their robes and wore coats and trousers, so in the decade of the 20th century, few people wore cheongsam, but only in the 1920s did they recover. There was a qualitative change in the Qipao after the revolution. The main place of this change was Shanghai< There are three main differences between Qinu's robe in the late Qing Dynasty and that in the Republic of China:
1; In the Republic of China, the cheongsam was opened and folded, showing the body shape or female curve
2; The cheongsam of the Republic of China has underwear and silk stockings inside, with legs exposed at the slit
3; The fabric of Cheongsam in the Republic of China was lighter, the printed fabric increased, and the decoration was simple
it is these three differences that have brought about a qualitative change in cheongsam from traditional robes to new varieties that can be compared with Western skirts. Robe is a kind of coat, which emphasizes the function (cold proof, body covering, identity expression, etc.), and its aesthetic meaning is traditional implication. Although robe in French or one piece dress in English has a similar history and tradition of emphasizing function as Chinese robe, it is also one of its long traditions to show women's body curve; Modern dress strengthens this feature, from implicit, idealized and partial performance to revealing, sexy and whole body performance. In terms of all the subtle changes of women's posture in modern western dress, the Republic of China Qipao is unparalleled. After the founding of the people's Republic of China, the number of women wearing Qipao on the mainland decreased sharply. A well-known person once said with regret: & quot; For a woman with a better figure, it's a big loss not to wear Qipao& quot;< The formation of Qipao in the Republic of China is not accidental. At that time, Shanghai, a metropolis of Chinese and Western cultures, was the most qualified birthplace. Now it may be difficult for us to find the conclusive evidence of the birth of the Republic of China cheongsam in Shanghai, but we can still assert that the Shanghai style cheongsam is the typical one of the Republic of China cheongsam. If we are more bold, we can further assume that modern cheongsam, or Jiayi cheongsam, is a Shanghai style cheongsam. Because, in the eyes of ordinary people, the association or image caused by the word cheongsam is the Shanghai style cheongsam in the 1930s and 1940s
the cheongsam of the 1920s is still wide and straight; In line with the popular inverted sleeves in Qin Dynasty, the hem of the cheongsam is relatively large, and the whole body of the cheongsam is & quot; Inverted & quot; The shape of the image. However, the shoulders, chest and even waist have been fitted. Zhang Ailing said: & quot; The Qipao in the early days was cold and square, with Puritan style& quot; As the woman writer who is good at observing and describing fashion said; Chuxing;, If it means the 1920s, then & quot; Cold and square & quot; It must be her childhood impression
the 1930s and 1940s were the golden age of Qipao, and also the most glorious period of modern Chinese women's wear. At that time, the shape of cheongsam was slender, which was consistent with the popular women's dress silhouette in Europe. At this time, Qipao has completely jumped out of the limitation of Qinu's robe, which is a & quot; The combination of Chinese and Western Culture & quot; It's a new style. First there was & quot; Alternative school & quot; That's what I said. Some parts of the cheongsam were westernized, and Western style treatments were adopted outside the collar and sleeve, such as lotus leaf collar, western style lapel, lotus sleeve, etc., or double lapels with left and right placket. Although these reforms were not widely used, they showed people's freedom of thought at that time, and the original formula of Qipao was no longer necessary. The collocation of cheongsam and Western style coat is also & quot; Alternative school & quot; One of the characteristics of cheongsam, which makes cheongsam into the international clothing family, can be combined with a variety of modern clothing, in today's words, it has been & quot; Internationalization and modernization;. At the end of 1930s, there appeared again & quot; Improved cheongsam & quot;. The cutting method and structure of cheongsam are more westernized. The use of bust dart and waist dart makes cheongsam fit better. At the same time, shoulder seam and sleeve fitting appear, which makes the shoulder and armpit fit well. Some people also use softer shoulder pads, which are called & quot; Beauty shoulder;. This shows that women begin to abandon the old ideal angle characterized by shoulder rection. These cutting and structural changes were all completed in Shanghai. Mr. Jin Taijun, a descendant of Shanghai Hongxiang company, firmly believes this. Although he did not personally experience the whole process, when he worked in Hongxiang in the 1940s, he could get a lot of information about it from his teacher Fu. At this time, the cheongsam was mature and fixed. Later, the cheongsam could no longer jump out of the basic shape determined by the cheongsam in the 1930s. It could only make some changes in length, weight and decoration. The cheongsam that women all over the world love is typical of the cheongsam in the 1930s. The cheongsam of the 1930s was modeled on the Shanghai style cheongsam. Shanghai at that time
Man:
when wearing a suit, we should pay attention to the following problems: before wearing a suit, we should remove the trademark and pure wool logo on the left sleeve cuff of the coat. In general, sitting waiting, you can unbutton the suit coat; After standing up, especially when you need to face others, you should fasten the button of the suit jacket
the method of fastening the button of the suit coat: the button of the double breasted suit coat should be fastened completely. A single row of two button suit top buttons should only be the one on the top. Single row three button suit coat buttons, should be tied on the two buttons, or are single in the middle of that button. When you wear a vest, you can leave the bottom button undone
ladies:
in important meetings and talks, solemn ceremonies and formal banquets, ladies should dress appropriately. The top should be flat and straight, with less ornaments and lace, and all buttons should be fastened. The skirt is mainly narrow. The hem of young women's skirt can be 3cm-6cm above the knee, but not too short; The skirt of middle-aged and old women should be about 3cm below the knee
petticoat should be worn under the skirt. Leather or imitation leather suits and skirts should not be worn on formal occasions. Monochrome is the best choice for shirts. When wearing a shirt, you should also pay attention to the following items: the hem of the shirt should be tucked into the waist of the skirt instead of hanging out, and do not knot at the waist; Except for the top button of the shirt, all other buttons should be fastened; Don't take off your coat and put on your shirt when you are wearing a suit and skirt. Underwear should be worn inside the shirt, but not exposed
extended materials:
wearing routine
so far, no kind of women's clothing can "see all the mountains and small mountains" like a skirt in shaping the image of professional women. For female managers, if they wear a suit properly, their image will be bright immediately. If you show your temperament and demeanor, your career will have more opportunities for success. But the following four taboos must be observed
(1) wear black leather skirt
you can't wear black leather skirt in business occasions, otherwise it will make people laugh and cry. Because in foreign countries, only street girls dress like this. So when you deal with foreigners, especially when you visit European and American countries, you should never wear a black leather skirt
(2) skirt, shoes, socks do not match
shoes should be high-heeled or half high-heeled shoes, preferably cow shoes, the size should be appropriate. Black is the most orthodox color. In addition, leather shoes with the same color as the skirt can also be selected. Socks are generally nylon stockings or wool socks or pantyhose
the color should be monochrome, including meat color, black, light gray and light brown. Do not wear panties such as bodybuilding pants and Capris as long socks. Sock mouth should be buried in the skirt, not exposed. Socks should be in good condition. If you wear a high-end skirt, but the socks have holes, so it is extremely incongruous, not serious enough
(3) barefoot
barefoot is not only not formal, but also makes some of its own flaws laugh at others. At the same time, in international exchanges, wearing skirts, especially wearing a skirt without socks, is often seen as deliberately coquettish and sexy. Therefore, barefoot is not allowed
(4) three legs
the so-called three legs refers to that when wearing half a skirt, half a sock is worn, and a leg belly is exposed between the sock and the skirt, resulting in a skirt, a sock and a leg belly. This kind of wearing method makes legs appear thick and short easily. The term is "malignant segmentation", which is often regarded as the basic feature of unecated women in foreign countries
the second western expedition of Taiping army failed, which led to the fall of Anqing. Since then, the situation has changed dramatically, Tianjing has been in danger, and the battle of Tianjing has entered a decisive stage
at this time, Li Xiucheng conquered Hangzhou again and swept a large area of Western and eastern Zhejiang. Although it was also a victory in part of the war, it was not a compensation for the loss of the western front of the Taiping Army in terms of the overall situation of the war, let alone a role in supporting the Tianjing defense war. On the contrary, Zhejiang's military progress deepened the unfavorable situation of the Taiping Army's two side battle, and Zhejiang's military victory accelerated the fall of Nanjing
since 1862, the main battle of Tianjing was the battle of Tianjing, followed by the invasion of Huainan
before Hong Xiuquan was sick, he felt tired of the world and expected a dragon to take him to heaven. It echoed the imperial edict to heaven issued by Hong Xiuquan the day before he died, which showed that Hong Xiuquan had prepared for the emergency. When the time came, he died for his country
In addition, when Tianjing was in crisis, Hong Xiuquan wrote a poem and Ming said:< blockquote >
"why does God change his mind when eating porridge? I don't see the death of brother Tian, but the blood is dripping on the cross. No vanguard or forerunner can be seen, and the people of the kingdom of heaven have made great contributions
When Hong Xiuquan was killed, he could not accept Li Xiucheng's enterprising strategy of "letting the city stay", so he had to show his determination to die for the country by suicidal negative actionshis sudden death was more in line with Hong Xiuquan's ideological development and physical health at that time than his death from a critical illness strong>
the trouble of Young Werther is the representative work of John Goethe, a great German writer and thinker in the 18th century. This work makes Goethe become a world poet from a German poet, and the novel is popular all over the world, setting off a "Young Werther fever" The trouble of Young Werther, published in 1774, is the most important work in Goethe's early years. Its publication is also an epoch-making event in the history of German literature. Before the second Faust was published, Goethe's name was always associated with the trouble of Young Werther for 50 years in Europe The trouble of Young Werther is not long, and the plot is not complicated and tortuous. The main characters are only Werther and Luddy. The whole book is a complete novel based on the clue of Werther's unfortunate love experience and setbacks in society. The epistolary form of this novel is the first in the history of German Fiction. The protagonist Victor is a young citizen. He yearns for a free and equal life, and hopes to engage in some practical work. However, the society at that time was full of prejudice and vulgar habits. Conservative and corrupt officialdom, vulgar citizens, and arrogant nobles make him constantly conflict with the surrounding reality. The work describes the protagonist's ups and downs of emotions, and shows the changes of maintaining thoughts and feelings in lyric and discussion. In the novel, Witt's pain, longing and despair are described with strong poetic flavor and surging passion. His misfortune of personal love is placed in a wide social background, and the feudal hierarchical prejudice, the selfish and conservative ideas of ordinary citizens are exposed and criticized. The novel enthusiastically promotes the liberation of personality and emotional freedom. It bravely expressed the young people's desire to get rid of feudal bondage, establish equal interpersonal relationship and realize the value of life, vividly reflected the young people's feelings, longing and pain, and showed a rebellious spirit of attacking bad habits and abandoning bad customs. Therefore, it has more progressive significance of the times. This is also the reason why the novel has become a treasure in the world literature treasure house and is deeply loved by people all over the world<
[edit this paragraph] background
Goethe's love for Charlotte buff
the plot of the novel is largely autobiographical: ring his internship at the imperial Supreme Court in Wetzlar, Goethe met and fell in love with the young Charlotte buff. But Charlotte is engaged to a lawyer named Johann Christian KESTNER. In Charlotte's father's view, KESTNER is obviously more stable and reliable than Goethe, who is young and has artistic ambition; Goethe wanted to be an artist rather than a lawyer at that time. Goethe left Charlotte in a hurry. Later, he met the daughter of a privy adviser, maximiliana von La Rocher. Goethe integrated the impression of the two women into the image of Rudy. According to Goethe himself, he wrote the epistolary novel in four weeks to counteract the pain of love and free himself from the thought of suicide
the suicide in Jerusalem
part of the plot, especially the ending, is different from Goethe's experience. Werther committed suicide, but Goethe was immersed in pain and writing. The plot of suicide in the novel is inspired by a young colleague Jerusalem. Jerusalem did commit suicide because of great love misfortune, and his cemetery in Wetzlar became a shrine for unfortunate young lovers. Karl Wilhelm Jerusalem, a general friend of Goethe, committed suicide in October 1772. Kesterner told Goethe about it. Tragically, the pistol that Jerusalem used to commit suicide was lent to him by KESTNER. This makes Goethe mix his own experience in the summer of 1772 with the fate of Jerusalem. In the second part of the novel, the fate of Jerusalem increasingly becomes the main object of narration. Goethe transferred many of Jerusalem's character and other characteristics to his image of Werther. In order to know more about the suicide in Jerusalem, Goethe came to Wetzlar again in early November 1772. His conversation with people familiar with Jerusalem and his own memory of Jerusalem form the basis of the novel. He even quoted passages from KESTNER's report on the death of Jerusalem
[edit this paragraph] theme
the work describes the protagonist Werther's ups and downs of emotions, and shows the changes of maintaining thoughts and feelings in real and detailed way in lyrical and argumentation. In the novel, Witt's pain, longing and despair are described with strong poetic flavor and surging passion. His misfortune of personal love is placed in a wide social background, and the feudal hierarchical prejudice, the selfish and conservative ideas of ordinary citizens are exposed and criticized. The novel enthusiastically promotes the liberation of personality and emotional freedom. It bravely expressed the young people's desire to get rid of feudal bondage, establish equal interpersonal relationship and realize the value of life, vividly reflected the young people's feelings, longing and pain, and showed a rebellious spirit of attacking bad habits and abandoning bad customs. Therefore, it has more progressive significance of the times. This is also the reason why the novel has become a treasure in the world literature treasure house and is deeply loved by people all over the world< This novel is written in diary and epistolary style, which is good at revealing the protagonist's inner world and expressing his depressed psychology and melancholy feelings. The whole work is like a sentimental lyric poem. It is frank, true, open-minded, without affectation or affectation. Whether it is the joy or pain of the protagonist's love, it is like holding a beating heart, arousing readers' strong emotional resonance and extreme spiritual shock. Because of this, the publication of this novel makes the young generation crazy, and some people who are similar to Werther even die of suicide. This work had such a great influence, Goethe himself explained: "this is mainly because it appeared at the right time. Just as it takes only a little fuse to explode a mine, so does the explosion this time among readers. Werther was born in a wealthy middle-class family and received a good ecation. He is good at poetry and painting. He loves nature and is sentimental. One day in early spring, in order to relieve his troubles, he said goodbye to his family and friends and came to a remote mountain village with pleasant scenery. This young man, who lives a free life relying on his father's legacy, has a strong interest in the natural scenery and simple life of the mountain village. Everything in the mountain village is as beautiful as heaven, the green mountains and valleys, the morning and evening mist, the children and children in the village... All these make him feel like living in a paradise and forget all his troubles. Before long, at a dance, Witt met the daughter of a local judge, Luddy, and fell in love with her. He danced with Rudy, and he felt as if there were only two of them in the world. Although Luddy has been engaged for a long time, she is very fond of Werther. After the dance, they stood in front of the window excitedly. Luddy looked at Witt with tears in her eyes. Witt went deep into the whirlpool of emotion, kissing her hand with tears. Since then, although the sun and the moon rise and fall, Witt can no longer distinguish between day and night. There was only Rudy in his heart. Luddy's fiance Albert is back. He loves Luddy very much and treats Witt very well. They learn to talk about Luddy together. The green foothills, leisurely streams and floating clouds can no longer make him calm. He often feels small and uncomfortable. At night, he often dreams that Ludi is sitting beside him. In the morning, he wakes up, but he is alone on the bed. He can only sigh about his fate. Finally, under the persuasion of his friends, he decided to leave his beloved Lvdi and the small mountain village that once brought him joy and happiness. Werther returned to the city and worked as a clerk in the embassy. He tried his best to adapt himself to this job. However, the boss with bureaucratic habits was critical of his work and made trouble for him everywhere. His colleagues were also on guard for fear that others would surpass him. All these made him suffer a lot. Just when he felt bored, he met a respected count C by chance. Count C is modest, honest, erudite, friendly and trusting to victor, which brings a little comfort to victor. One day, the count invited him to his home for dinner. Unexpectedly, a group of nobles came after dinner. They looked at Witt with arrogance and disdain. Even the people he knew did not dare to talk to him. The count came to urge him to leave here as soon as possible. No matter where he went, he could see the face of ridicule and hear the words of ridicule. In a fit of anger, he finally quit his official post. At the invitation of a marquis general, he went to hunting village. During that time, he wanted to join the army, but at the Marquis's advice, he soon gave up the idea. The Marquis was very kind to him, but he never felt at ease there. He has been missing Green Di, in the heart of the traction, he returned to the original village. Although the scenery of the mountain village is still the same, the personnel are not. The beloved Lvdi has already become Albert's wife, and the kind-hearted villagers suffer one by one. He went to visit the two children who had painted for them, but their mother told him that her youngest son was dead; He went to visit the farmer who had told him the secret of his heart. He met him on the way. The farmer said that he was fired because he boldly expressed his love to the hostess. Her brother dismissed him for fear that he would take away his sister's property. He wanted to hug her a thousand times, even if he pressed her on his heart once, the gap would be filled, but he didn't dare to reach out to her. Winter is coming, the weather is getting colder and colder, flowers and plants are withered, a desolate. He was shocked to see the young man who lost his job and went mad because of his love for Rudy. Later he learned that the dismissed farmer had killed someone. Witt was very sympathetic and wanted to save him. He tried his best to defend him, but was opposed by the judge. His failure to save others made him fall into deeper grief. He also felt that he was at a dead end, suffering to the extreme, and let his feelings drive him to the sad end step by step. One day before Christmas, he came to his sweetheart Rudy to say goodbye. At this moment, the dying fire of love radiates light again. He recites osion's Elegy to Lvdi and hugs her tightly. Two days later, he left a letter that he couldn't bear to read. At midnight, he recited "Rudy! Lotty! Goodbye, goodbye! ", As she took her husband's pistol, she ended her life and her troubles< The first person epistolary style of Goethe's novel can be divided into two parts: the first part and the second part<
Part I
Werther is a young man who is good at poetry and painting and has a great love for nature. He lives a carefree life relying on his father's legacy. In 1771, when the earth came back to spring, he came to take care of his mother's legacy
