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Publish: 2021-04-25 19:53:23
1. The predecessor of Yue Opera is the popular form of rap in Shengxian, Zhejiang Province, which is "singing on the ground" (mainly in Matang village, which can be said to be the origin of Yue opera. The origin of Yue Opera should be in Matang, so Yue Opera should have a history of nearly 150 years). In the spring of 1906, it began to evolve into a form of opera performed on the rural grass platform, which was once called xiaogeban, DIDU ban, xiaogeban Shaoxing Wenxi, etc. At the beginning, artists were basically male farmers with half agriculture and half art, so they were called male classes. On September 17, 1925, the performance advertisement of Shanghai news was first called "Yue Opera"
on May 13, 2006, Xiaoge class entered Shanghai for the first time and performed in the "Xinhua garden" of Shiliupu. Because of its crude art, the audience was very few. After that, three more artists came to Shanghai, but all failed. After learning the performing skills of Shaoxing opera troupe and Peking Opera Troupe, the artists improved their art. In the eighth year of the Republic of China, Xiaoge troupe began to establish itself in Shanghai
since the ninth year of the Republic of China, Xiaoge class has gathered a group of well-known actors and proced some fascinating new plays, such as Liang Shanbo and Zhu Yingtai, biyuzan, Meng Lijun, etc. These plays, adapted to the rise of the trend of thought of fighting for women's rights and equality between men and women after the May 4th movement, were welcomed by the audience. Later, Zhou Lin, the owner of shengpingge stage, invited three musicians from Shengxian folk music organization "xikeban" to form the first professional accompaniment band in the history of Yueju Opera. He played with 15 two tones and followed the Shaoxing big class custom, which was called "zhenggongdiao" for short, "zhengdiao", from which "Sixian zhengdiao" became the main tune; In addition, the music framework of banqiang is initially established by referring to the Banque of Shaoxing class. From September of the 10th year of the Republic of China to the 11th year of the Republic of China, the male troupe artists successively changed the name of the drama to Shaoxing Wenxi, absorbed the performance program of Beijing Opera and Shaoxing opera, and developed to the aspect of ancient costume drama. The repertoire is influenced by the Shanghai style Peking Opera, mainly composed and performed in the "big world", "new world" and other amusement parks, as well as teahouses, hotels and small theatres. The main actors are Wang Yongchun and Zhi Weiyong, Wei Meio, Bai Yumei and Jin Xuefang, Ma Chaoshui, Ma ashun and Jin Rongshui
in July of the Republic of China, Wang Jinshui, a businessman from Shengxian County, invited Jin Rongshui, a male entertainer, to return to his hometown and set up his first female class, recruiting more than 20 girls under the age of 13. On January 14 of the next year, the class performed on the Shengping stage in Shanghai, known as the "fashionable little song class". In the 18th year of the Republic of China, Shengxian county set up a second women's class, and then continued to hold it. Since the end of the 20th century, some actresses, such as Wang Xinghua, Chen Miaoxian, LV Fuzhu, Dong'an stage and four seasons spring class, have been performing in Shanghai, but they are still mixed performances< In the second half of the year, the number of female classes increased to 36. Almost all the famous actors of women's Yueju Opera gather in Shanghai. The newspaper commented that "Shanghai's women's Shaoxing opera is all the rage, but recently it has become more and more popular.". The male class was eventually replaced by the female class because there was no successor
after the establishment of women's Yue Opera in Shanghai, in order to adapt to the environment and the needs of the audience, a group of Yue Opera practitioners represented by Yao shuijuan carried out a reform, which was called "improved Wenxi" at that time. All troupes and troupes competed to proce new plays. In the past four years, more than 400 new plays have been written and performed, with a wide range of themes, styles and styles. Most of the screenwriters have been engaged in "civilized play", and the plays generally adopt the screen system. At that time, the main screenwriters were Fenli, Wenzhong, Hu Zhifei, Tao Xian, Liu Tao Tao, etc. The diversification of the content of the repertoire causes corresponding changes in the form of performance, and there is a trend to learn from brother dramas one after another. At that time, some of them studied Shanghai style Peking Opera, such as Shang Fangchen, who once performed Zhou Xinfang's famous opera the last regret of the Ming Dynasty; Some of them studied Shenqu, such as Shi Yinhua and Tu Xinghua, and staged the suit Qipao drama thunderstorm; Others study films and plays, such as "the story of Chiang Kai Shek's death" and "the big family" performed by Yao shuijuan. They use realistic scenes and rickshaws to go on stage. In the way of operation, we broke the feudal stereotypes, implemented the manager system, and took charge of the front and back office
ring this period, the most famous actors were "three flowers, one Juan and one GUI", namely Shi Yinhua, Zhao Ruihua, Wang Xinghua, Yao shuijuan and Xiao Dangui, and the most famous actors were Tu Xinghua, Zhu SOE and Ma Zhanghua; Young actors such as Yuan Xuefen, Yin Guifang, fan Ruijuan, Fu Quanxiang and Xu Yulan have come to the fore
in October of the Republic of China, Yuan Xuefen took drama as an example and began to reform in Dalai theater. In the first two years, Yu Yin (Yao Luding), Han Yi, LAN Ming (Liu), Xiao Zhang, LV Zhong, Nan Wei, Xu Jin and so on were employed as directors, most of them were young amateur dramatists. They call the reformed Yue Opera "new Yue Opera". In September of the 33rd year of the Republic of China, Yin Guifang and Zhu shuizhao also carried out reform in Longmen theater. Since then, the major Yue opera troupes in Shanghai have all joined the ranks of "new Yue Opera", and the appearance of Yue opera has changed greatly in just a few years
the first step in the reform of Yue Opera is to write and perform new plays, establish the script system, and abolish the screen system. Even if traditional plays are performed, they have been reorganized and adapted. The content of the new play has changed a lot. Many directors and actors attach great importance to the social benefits of the play and advocate a positive and beneficial influence on the audience. They have proced a large number of anti feudalism, exposing social darkness and advocating patriotic ideas. In May of the Republic of China, Xuesheng troupe adapted Lu Xun's novel blessing to Xianglinsao, which aroused the attention of the underground organization of the Communist Party of China to Yue Opera and the whole local opera. In September of that year, Zhou Enlai saw the performance of Xuesheng opera company in Shanghai, and then gave instructions and arrangements to the underground organizations of the Communist Party of China on how to do a good job in local opera circles. Chinese Communist Party members Qian yingyu and Liu housheng were sent to the Yueju Opera circle as editors and directors. Later, progressive figures in Shanghai's literary and art circles and press circles also gave support to Yuan Xuefen's incident of being thrown ng by hooligans, the joint benefit performance of "love between mountains and rivers" by the ten sisters of Yue opera, and the struggle to redress Xiao Dangui's injustice
there is also a major breakthrough in singing. In the early 1940s, when Yuan Xuefen performed Xiangfei and fan Ruijuan performed the sad history of Liang Zhu, they all cooperated with Qin player Zhou Baocai to create soft and sad "Chi tune" and "Xianxia tune". Later, these two tunes developed into the main tune of Yue opera, and graally formed different schools
in terms of performance, Yue opera, on the one hand, learns the performance methods of portraying characters' personalities and psychological activities from drama and movies, and on the other hand, learns the beautiful dance body and stylized movements from Kunqu Opera and Beijing opera, graally forming a style of combining freehand brushwork and realism
in terms of stage art, three-dimensional scenery, multicolored lighting, sound and oil color make-up are adopted to reform the clothing style and color, and the material is soft and elegant, thus becoming an organic part of the whole stage art
the series of reforms have graally established a formal art mechanism of editing, directing, acting, sound and beauty, and set up an organization of the drama department responsible for the comprehensive stage art. In addition to the original housewives, a large number of female factory workers and female middle school students were attracted. On the eve of the liberation of Shanghai, several major troupes engaged in Yueju Opera, such as "Xuesheng", "Dongshan", "Yulan", "Yunhua" and "Shaozhuang", were directly or indirectly influenced by the Communist Party of China
Shanghai was liberated in May 1949. On April 12, 1950, the first national drama troupe in Shanghai, East China Experimental Drama Troupe, was established. On March 24, 1955, Shanghai Yue Opera Theater was officially established. Under the guidance of the CPC's literature and art direction of serving the people and socialism and the policy of "letting a hundred flowers blossom and bringing forth the new", the theater has played a demonstration role of the national theater. In addition, a number of collectively owned troupes such as "Fanghua", "Yunhua", "Hezuo" and "young" are also very active, and have made a lot of achievements in acting.
on May 13, 2006, Xiaoge class entered Shanghai for the first time and performed in the "Xinhua garden" of Shiliupu. Because of its crude art, the audience was very few. After that, three more artists came to Shanghai, but all failed. After learning the performing skills of Shaoxing opera troupe and Peking Opera Troupe, the artists improved their art. In the eighth year of the Republic of China, Xiaoge troupe began to establish itself in Shanghai
since the ninth year of the Republic of China, Xiaoge class has gathered a group of well-known actors and proced some fascinating new plays, such as Liang Shanbo and Zhu Yingtai, biyuzan, Meng Lijun, etc. These plays, adapted to the rise of the trend of thought of fighting for women's rights and equality between men and women after the May 4th movement, were welcomed by the audience. Later, Zhou Lin, the owner of shengpingge stage, invited three musicians from Shengxian folk music organization "xikeban" to form the first professional accompaniment band in the history of Yueju Opera. He played with 15 two tones and followed the Shaoxing big class custom, which was called "zhenggongdiao" for short, "zhengdiao", from which "Sixian zhengdiao" became the main tune; In addition, the music framework of banqiang is initially established by referring to the Banque of Shaoxing class. From September of the 10th year of the Republic of China to the 11th year of the Republic of China, the male troupe artists successively changed the name of the drama to Shaoxing Wenxi, absorbed the performance program of Beijing Opera and Shaoxing opera, and developed to the aspect of ancient costume drama. The repertoire is influenced by the Shanghai style Peking Opera, mainly composed and performed in the "big world", "new world" and other amusement parks, as well as teahouses, hotels and small theatres. The main actors are Wang Yongchun and Zhi Weiyong, Wei Meio, Bai Yumei and Jin Xuefang, Ma Chaoshui, Ma ashun and Jin Rongshui
in July of the Republic of China, Wang Jinshui, a businessman from Shengxian County, invited Jin Rongshui, a male entertainer, to return to his hometown and set up his first female class, recruiting more than 20 girls under the age of 13. On January 14 of the next year, the class performed on the Shengping stage in Shanghai, known as the "fashionable little song class". In the 18th year of the Republic of China, Shengxian county set up a second women's class, and then continued to hold it. Since the end of the 20th century, some actresses, such as Wang Xinghua, Chen Miaoxian, LV Fuzhu, Dong'an stage and four seasons spring class, have been performing in Shanghai, but they are still mixed performances< In the second half of the year, the number of female classes increased to 36. Almost all the famous actors of women's Yueju Opera gather in Shanghai. The newspaper commented that "Shanghai's women's Shaoxing opera is all the rage, but recently it has become more and more popular.". The male class was eventually replaced by the female class because there was no successor
after the establishment of women's Yue Opera in Shanghai, in order to adapt to the environment and the needs of the audience, a group of Yue Opera practitioners represented by Yao shuijuan carried out a reform, which was called "improved Wenxi" at that time. All troupes and troupes competed to proce new plays. In the past four years, more than 400 new plays have been written and performed, with a wide range of themes, styles and styles. Most of the screenwriters have been engaged in "civilized play", and the plays generally adopt the screen system. At that time, the main screenwriters were Fenli, Wenzhong, Hu Zhifei, Tao Xian, Liu Tao Tao, etc. The diversification of the content of the repertoire causes corresponding changes in the form of performance, and there is a trend to learn from brother dramas one after another. At that time, some of them studied Shanghai style Peking Opera, such as Shang Fangchen, who once performed Zhou Xinfang's famous opera the last regret of the Ming Dynasty; Some of them studied Shenqu, such as Shi Yinhua and Tu Xinghua, and staged the suit Qipao drama thunderstorm; Others study films and plays, such as "the story of Chiang Kai Shek's death" and "the big family" performed by Yao shuijuan. They use realistic scenes and rickshaws to go on stage. In the way of operation, we broke the feudal stereotypes, implemented the manager system, and took charge of the front and back office
ring this period, the most famous actors were "three flowers, one Juan and one GUI", namely Shi Yinhua, Zhao Ruihua, Wang Xinghua, Yao shuijuan and Xiao Dangui, and the most famous actors were Tu Xinghua, Zhu SOE and Ma Zhanghua; Young actors such as Yuan Xuefen, Yin Guifang, fan Ruijuan, Fu Quanxiang and Xu Yulan have come to the fore
in October of the Republic of China, Yuan Xuefen took drama as an example and began to reform in Dalai theater. In the first two years, Yu Yin (Yao Luding), Han Yi, LAN Ming (Liu), Xiao Zhang, LV Zhong, Nan Wei, Xu Jin and so on were employed as directors, most of them were young amateur dramatists. They call the reformed Yue Opera "new Yue Opera". In September of the 33rd year of the Republic of China, Yin Guifang and Zhu shuizhao also carried out reform in Longmen theater. Since then, the major Yue opera troupes in Shanghai have all joined the ranks of "new Yue Opera", and the appearance of Yue opera has changed greatly in just a few years
the first step in the reform of Yue Opera is to write and perform new plays, establish the script system, and abolish the screen system. Even if traditional plays are performed, they have been reorganized and adapted. The content of the new play has changed a lot. Many directors and actors attach great importance to the social benefits of the play and advocate a positive and beneficial influence on the audience. They have proced a large number of anti feudalism, exposing social darkness and advocating patriotic ideas. In May of the Republic of China, Xuesheng troupe adapted Lu Xun's novel blessing to Xianglinsao, which aroused the attention of the underground organization of the Communist Party of China to Yue Opera and the whole local opera. In September of that year, Zhou Enlai saw the performance of Xuesheng opera company in Shanghai, and then gave instructions and arrangements to the underground organizations of the Communist Party of China on how to do a good job in local opera circles. Chinese Communist Party members Qian yingyu and Liu housheng were sent to the Yueju Opera circle as editors and directors. Later, progressive figures in Shanghai's literary and art circles and press circles also gave support to Yuan Xuefen's incident of being thrown ng by hooligans, the joint benefit performance of "love between mountains and rivers" by the ten sisters of Yue opera, and the struggle to redress Xiao Dangui's injustice
there is also a major breakthrough in singing. In the early 1940s, when Yuan Xuefen performed Xiangfei and fan Ruijuan performed the sad history of Liang Zhu, they all cooperated with Qin player Zhou Baocai to create soft and sad "Chi tune" and "Xianxia tune". Later, these two tunes developed into the main tune of Yue opera, and graally formed different schools
in terms of performance, Yue opera, on the one hand, learns the performance methods of portraying characters' personalities and psychological activities from drama and movies, and on the other hand, learns the beautiful dance body and stylized movements from Kunqu Opera and Beijing opera, graally forming a style of combining freehand brushwork and realism
in terms of stage art, three-dimensional scenery, multicolored lighting, sound and oil color make-up are adopted to reform the clothing style and color, and the material is soft and elegant, thus becoming an organic part of the whole stage art
the series of reforms have graally established a formal art mechanism of editing, directing, acting, sound and beauty, and set up an organization of the drama department responsible for the comprehensive stage art. In addition to the original housewives, a large number of female factory workers and female middle school students were attracted. On the eve of the liberation of Shanghai, several major troupes engaged in Yueju Opera, such as "Xuesheng", "Dongshan", "Yulan", "Yunhua" and "Shaozhuang", were directly or indirectly influenced by the Communist Party of China
Shanghai was liberated in May 1949. On April 12, 1950, the first national drama troupe in Shanghai, East China Experimental Drama Troupe, was established. On March 24, 1955, Shanghai Yue Opera Theater was officially established. Under the guidance of the CPC's literature and art direction of serving the people and socialism and the policy of "letting a hundred flowers blossom and bringing forth the new", the theater has played a demonstration role of the national theater. In addition, a number of collectively owned troupes such as "Fanghua", "Yunhua", "Hezuo" and "young" are also very active, and have made a lot of achievements in acting.
2. There is no direct train from Huayang bus station to Pixian County. There is a most convenient route from Huayang to Pixian County. Just go to Jinsha station. There is a bus from Huayang to Jinsha station. Besides, there are buses to Pixian at Jinsha station
3. Unknown_Error
4. Huayang suggests to go to Shuangliu station, and then take the bus to Pixian via Jiaolong instrial port. For details, you can ask at Shuangliu station It's faster, but I haven't tried it, I don't know how long it will take)
if you take a bus to Jinsha, it's recommended to take Jinsha to Pixian, which is about three hours
if you take a bus to Jinsha, it's recommended to take Jinsha to Pixian, which is about three hours
5.
bus line: P40 → Metro Line 2 → Metro Line 1 → No. 504, the whole journey is about 48.4km
1. Walk about 10m from Pixian passenger transport center to Pixian passenger transport center station
2. Take No. P40, pass 15 stops to Xipu express railway station
3. Walk about 70m to Xipu station
4. Take Metro Line 2, pass 14 stops to Tianfu Square Station
5 Take subway line 1, pass 15 stops, reach Sihe station
6, walk about 280 meters, reach Sihe station
7, take No. 504, pass 6 stops, reach Huayang passenger station (also take No. 509, 517)
8, walk about 90 meters, reach Huayang passenger transport center
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