Quintessence chain digital currency

1. Quintessence uses global digital currency as a supporting bridge
the development of digital currency has broad prospects and wide applications. At present, the major banks all over the world have different degrees of research. What we need to do is to stabilize the digital currency market, so that the people of the world can enjoy the convenience and simplicity brought by digital currency while bringing benefits to investors.

2. The total number of blue and white quintessence trademark applications is 1
of which 1 has been successfully registered, 0 is under application, 0 is invalid registered and 0 is on sale< According to Bajie's intellectual property statistics, blue and white quintessence can also be registered with the following trademark categories:
category 1 (chemicals, fertilizers)
category 2 (pigments, paints, dyes, anti-corrosion procts)
Category 3 (daily chemical procts, washing and care, spices)
category 4 (energy, fuel, grease)
category 5 (drugs, sanitary procts, nutrition)
category 6 (metal procts Metal building materials, metal materials)
class 7 (mechanical equipment, motor, transmission)
class 8 (hand tools (small), tableware, cold weapons)
class 9 (scientific instruments, electronic procts, security equipment)
class 10 (medical devices, medical supplies, alt supplies)
class 11 (lighting and sanitary ware, cold and hot equipment, electronic equipment, security equipment)
class 10 (medical devices, medical supplies, alt supplies)
class 11 (lighting and sanitary ware, cold and hot equipment Disinfection and purification)
twelfth category (transport tools, carrier parts)
thirteenth categories (arms, pyrotechnics, personal protective spray)
fourteenth category (jewelry, precious metals, Zhong Biao)
fifteenth class (musical instruments, instrumental accessories and accessories)
sixteenth categories (paper, office supplies, stationery teaching aids)
seventeenth category (rubber procts, Insulation and sound insulation materials)
class 18 (bags, leather goods, umbrellas)
class 19 (non-metallic building materials)
class 20 (furniture, furniture parts, cushions)
class 21 (kitchen appliances, household utensils, washing appliances)
class 22 (ropes, awnings, bags)
class 23 (yarn, thread, silk)
class 24 (textiles, bedclothes Towel)
class 25 (clothing, shoes and hats, socks and gloves)
class 26 (accessories, wigs, buttons and zippers)
class 27 (carpet, mat, wallpaper)
class 28 (toys, sports fitness equipment, fishing tackle)
class 29 (cooked food, meat, eggs and milk, cooking oil)
class 30 (pastry, condiments, drinks)
class 31 (fresh, animals and plants Feed seeds)
category 32 (beer, non-alcoholic drinks)
category 34 (tobacco, smoking sets)
category 35 (advertising, business management, marketing)
category 36 (financial affairs, real estate management, pawn guarantee)
category 37 (construction, interior decoration, repair and maintenance)
category 38 (telecommunications, communication services)
category 39 (transportation, warehousing, sales, etc.) Energy distribution, travel services)
class 40 (material processing, printing, sewage treatment)
class 41 (ecation and training, sports activities, entertainment services)
class 42 (R & D quality control, it services, building consulting)
class 43 (catering and accommodation, nursing, animal accommodation)
class 44 (medical treatment, beauty, gardening)
class 45 (security law Wedding (housekeeping, social service)

3. If it's the handmade processing of jewelry, bracelets, beads, etc., if it involves various charges in the name of deposit, material payment, deposit, logistics fee, price guarantee fee, license and so on, especially those charged by indivial (the so-called legal person, manager, financial person in charge) bank account, no matter whether the company exists or has a business license, it must be a fraud. These scams may not have something to do with this company, or they may be Li Gui, who is an online impostor.

4. The four quintessence of China are Chinese martial arts, traditional Chinese medicine, Peking Opera and calligraphy
Chinese Wushu
Chinese Wushu is created and developed by the Chinese nation. It has the functions of keeping fit, protecting the body, defending the enemy and winning. It is known as one of the four quintessence of China and loved by people of all ethnic groups
traditional Chinese medicine is an important part of China's splendid culture and one of the four quintessence of the Chinese nation. It has more and more important influence in the world and is deeply loved and welcomed by the Chinese people and the people of the world. In the past 50 years, Chinese medicine has made great achievements in all aspects. Pine pollen is a kind of pollen used for both medicine and food in the treasure house of Chinese medicine. As a traditional Chinese medicine, it has been used for both medicine and food for more than thousands of years. It has been recorded in ancient medical books, such as Shennong materia medica classic 2400 years ago to today's Chinese Pharmacopoeia, and is regarded as "fairy medicine" in the folk because of its magical effect
Peking opera
Chinese Peking Opera is China's & quot; Quintessence of Chinese culture;, It has a history of 200 years. Peking opera was first named in Shenbao in the second year of the reign of Emperor Guangxu of the Qing Dynasty. In history, it was called pihuang, Erhuang, huangqiang, Jingdiao, Peking Opera, Pingju and Guoju. After entering Beijing in 1790, the four Hui troupes of the Qing Dynasty merged with Kunqu Opera, Hanju Opera, Yiyang opera and Luantan opera in Beijing for 50 or 60 years, becoming Peking Opera, the largest opera in China. Its rich repertoire, many performing artists, many troupes, many audiences and deep influence are among the highest in the country. Beijing Opera is a comprehensive performing art
calligraphy
calligraphy is the art of writing Chinese characters. In the long history of evolution and development, Chinese characters stand in the forest of world art. On the one hand, it plays an important social role in ideological exchange and cultural inheritance, on the other hand, it forms a unique plastic art&# 8205; Although the self-consciousness of calligraphy didn't take place until the end of the Eastern Han Dynasty, the art of calligraphy should be accompanied by the emergence of Chinese characters. The earliest ancient Chinese characters in China are oracle bone inscriptions and bronze inscriptions in the middle and late Shang Dynasty (about 14th to 11th century BC). From the perspective of calligraphy, these earliest Chinese characters have many factors of calligraphy form beauty, such as the beauty of lines, the symmetry beauty of single character shape, the beauty of change, the beauty of composition and style< Other views:
one view is that Dr. Sun Yat Sen summarized the four most representative quintessence of Chinese culture: Chinese Peking Opera, Chinese painting, Chinese medicine and Chinese cuisine
reference links: four quintessence of Chinese culture_ Network
&; http://ke..com/view/296261.htm

5. Hello, you'd better keep the invoice they issued for you. According to the consumption law, it's returned within three days and exchanged within seven days. Hope to be useful to you, hope to adopt!!

6. After the release of the film Mei Lanfang, the magnificent scenes of Peking Opera in the film are impressive, and many young people have a strong interest in Peking Opera. We have been thinking about how to revitalize the quintessence of Chinese culture, and now the problem seems to be solved. There are many similar examples. For example, the Japanese cartoon "slam nk master" once set off a basketball craze for middle school students, and "chess soul" made go, which has always been popular in those years... Can the way of aesthetic experience really save and activate the traditional cultural style<

Gong Danyun: do you think that the popularity of a work may stimulate an instry<

Liang Yong'an: I remember the movie "in the mood for love" made Qipao popular. Today's society is open, modern people are ready to accept new changes, like all kinds of new things, look at those ubiquitous advertising lens, montage switch fast, the audience used to. Fashion has even become a release of mental pressure. In this sense, it's very easy for modern people to like something all of a sudden, just for a moment or a shot. But at the same time, it also means that modern people's likes are often superficial. In the past, their emotions may be gone. It's not the kind of deep understanding of the real obsession

Beijing Opera is no exception. Although it comes from tradition in terms of artistic style, it is still very strange to contemporary young people. In particular, most urban youth grow up in the electronic culture, and the expressions of Beijing opera, such as charm, facial makeup and color, are rather novel. Young people's interest in Peking Opera may be just a kind of instant favor on the screen. There is still a long way to go before they really like and understand the quintessence of Chinese culture

in the real heyday of Peking Opera, it is not only an art, but also a way of life. People gather in teahouses regularly. When they see the highlights, they clap the table and yell at each other, fully interacting with the characters on the stage. Even in the 19th century western drama, the audience felt that they were not performing well, and they would run up to the actors and tell them how to play the role... They are called active audiences in cultural sociology. Nowadays, Peking Opera on the screen is no longer the quintessence of life. You can't participate in it, you can't talk to it, it's just quietly presented there, one-way output<

Gong Danyun: the effect should be better if the quintessence of Chinese culture enters the classroom with interaction and learning. Why does the actual result seem to be unsatisfactory<

Liang Yong'an: maybe it's not enough innovation, and it's hard to resonate with modern people. When Peking opera was born, it was also a proct of innovation. Since modern times, all schools have made innovations in their original forms. Even the model opera also has new attempts, such as "fighting tiger up the mountain" uses a lot of horn to add modern art elements. At present, we have no innovation to meet the requirements of the times, and lack of things that touch the hearts of contemporary people. There are two ways of thinking: one is to follow the idol line, keep pace with the times in dance beauty, singing and packaging; the other is to maintain the pure classical flavor

in fact, I don't think that no matter how beautiful it is, it may not be able to really continue and shine in art. In the cold and mechanical instrial civilization, traditional art is one of the few warm supplements. Beijing opera, for example, represents a kind of poetic and picturesque opposite to instrial culture. Its delicate expression, stage steps and singing style contain the interpretation of people's heart and the emotional interpretation of the world. Appreciating traditional art is a kind of spiritual state of quietly sinking into the soul. It seems that you can get rid of the hustle and bustle of instrial society, return to nature, and get a moment of spiritual freedom. This is what classics are worth tasting. If the only remaining traditional art becomes a part of fashion in the process of popularization, becomes the amplification of the market, and is engulfed by capital logic, then its significance as the opposite of instrial culture will disappear, and the connotation of art itself may be buried from now on

compared with various categories of popular culture, Beijing opera seems destined to be lonely. In the middle of instrialization, it may not be time for Beijing opera to revive

Gong Danyun: if you want to enter the state of tasting art, you need to learn and accumulate. Isn't it good to take film and television as an opportunity to arouse the public's interest first and then learn slowly<

Liang Yong'an: film and television has two sides. It magnifies potential things, which may have positive or negative effects. For example, the film and television presents Beijing Opera in fragments, which makes everyone's eyes happy. It is very likely that in the future, the real performances that are not pleasant enough will not want to see, and they will forget when they enjoy it. Although movies have certain driving power, the instrial society's pursuit of practicality still prevails. Peking Opera lacks a graceful atmosphere and environment, so it is difficult to expect to spontaneously form a sustained affection for Peking Opera

Japan adopts an institutionalized approach. According to the regulations of Kobe Prefecture in Osaka, starting from primary school, students must go to see Neng le and song and dance drama once a semester. Children's aesthetic values have not yet been established. Although they can't understand classics all at once, they have left an impression in their growth process. After a little explanation, they will learn to accumulate and know how to appreciate them. For another example, Japan released the PSP version of Altman game in 2002. It is generally acknowledged that it is very shoddy, but it is sold out of stock. It is precisely because it is the memory of many people's growth that we are buying it with special feelings. People are often hard to give up the things that accompany the growth of life. So is traditional art

Gong Danyun: in fact, with the help of films, the follow-up derivatives can keep up, which is likely to deepen the popularity of Beijing opera. For example, to launch the original soundtrack of Beijing Opera in movies, to develop performances related to movie plays, and so on, need a mature and huge cultural instry chain

Liang Yong'an: indeed, many artists in the United States claim that "40% of them work in art and 60% in the market". Through movies, young people may encounter Peking Opera, and they may soon be wrong. However, if the cultural operation of society is mature enough, it is still possible to develop. In the final analysis, what kind of art a society accepts reveals the basic state of people's spiritual development in this era. The vicissitudes of more than a hundred years have made our cultural inheritance always bumpy, but there is still a kind of stubborn ethics in our nation's subconscious, which is continuously passed on from generation to generation. For example, every Spring Festival, nearly 200 million people go home from all over the world. In fact, this is a very noteworthy cultural indicator, indicating that the cultural core of the nation is still continuing

now, everything is groping, and everything is possible. We are in a busy period of material proction, and the value expressed by Peking Opera is difficult to have a sense of dependence. However, there are many unchangeable contents in the root of national life. The more traditional art is, the more it can reflect the essence of life. Perhaps after 20 or 30 years of development, we will no longer have to work too hard for common things. When we have spare time to pursue high-quality living methods, many traditional things will be recognized again. That is to say, when this generation of young people enter middle age, they may feel the subtle flexibility of their predecessors' lives again and resonate with traditional culture again.

7. [theme]: Children's TV series [once won awards]: the fifth (1995) "five one project", Yu Sijie and Chen Sisi [synopsis of the story]: students from class 2, grade one of a middle school in Binhai city

9.

Hello ~

Yes, damai.com is the ticket agent of Sichuan Opera "Furong quintessence" Cheng station. You can go to damai.com to buy tickets now^_^

the following Maimai will provide you with detailed information:

time: before December 31, 2013

Venue: Sichuan theater

ticket price: 68,78,98

ticket purchase link [Sichuan Opera "Furong quintessence" Cheng station]

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hope it can help you^_^

thank you for your support