Art culture mining
Publish: 2021-04-15 02:21:23
2.
Art collection is becoming a hot spot of economic and cultural growth, and an eye-catching research object of art, economics and culture. The art consumption behavior and its way of searching, selecting, purchasing, gathering, collecting and displaying art works as valuable property, art appreciation object and cultural research object is the so-called art collection. From the perspective of ancient philology, "collect", "take", "gather", "collect"“ "Hide", "hide", "hide also, want to see the Buddha also"“ Collection "means collection and storage, such as" ash, Kang, Pang, cup, horse arrow, all are collected "and also refers to the collection
too many words, please see the attachment
3. Art investment has low risk, rapid appreciation and high style. Now that people's living conditions are good, they want to buy some art. On the one hand, they can improve their taste, On the other hand, if the value of an antique increases, it can be sold to make money. Basically, there is little devaluation of an artwork. Generally, the older the antique is, the higher the value is, Of course, now the cultural market is also a mixture of good and bad. Just shine your eyes and don't buy fake goods.
4. In recent years, the domestic art investment market is extremely hot, and the function of art investment value preservation and appreciation has attracted many investors and collectors. At present, there are many channels to buy art, such as various auctions, art shops, galleries, art exhibitions and trade fairs held all over the world. However, it is not so easy for some ordinary collectors and investors to realize and stop losses of their artworks
the reporter learned in the interview that at present, there are four main channels for the realization of artworks in Jiangxi market: store repurchase, auction, personal transaction and irregular antique market fair. However, in some big cities, the popular mortgage financing or pawn cash is still blank in our province<
with the expansion of art collection market, there are more and more ways for ordinary people to come into contact with the collection, and more and more channels to buy it. But when it comes time to sell the collection, there are also problems. Collectors will find it difficult to cash in what they buy
Mr. Liu is an ordinary collector. He didn't know anything about art. Later, because the stock market and the property market were cold, he began to pay attention to the art market. In the past two years, he has bought a lot of contemporary calligraphy and painting works on the recommendation of his friends. However, e to the rupture of the capital chain in business, he is in urgent need of selling a batch of artworks. However, when Mr. Liu wanted to cash his collection quickly, he found that it was not easy to find a suitable buyer. The price was lower than he expected
"why can't I get a good price when the price of the same kind of collection keeps going up?" Looking at the cold collection, Mr. Liu did not know how to "cash" it without loss
lack of experience and market information
Where is the difficulty in realizing artworks? Yu Biao, the owner of yunzhenzhai in tengwangge Antique City, a person in the Jiangxi collection instry, told reporters that the problem of cash difficulty is more in the new collectors“ For those who mainly rely on their eyesight and experience, it is difficult for new collectors to judge the quality of artworks when they sell them because of their lack of professional knowledge and experience. They often buy fake artworks or artworks with poor appearance, which are difficult to realize. " He said that the new collectors do not have enough knowledge of the trading mode and information of the market, so they will encounter difficulties in cash
"secondly, many people enter the field of art collection with speculative psychology, hoping that the things they buy will appreciate in value." Yu Biao said that there has always been a saying in the antique instry that "it will not open for three years, but it will be open for three years.". Collection is obviously a matter of great urgency. Eager for quick success and instant benefit is often the main reason for the difficulty in realizing the collection
the difficulty in realizing artworks also stems from the confusion of market prices. Although everyone's understanding of the value of art has some differences, after entering the market, they will refer to the opinions of professionals to form the corresponding market price“ However, at present, the collection market lacks the relevant authority to identify and evaluate the works of art, and the value cannot be determined or the identification is chaotic. Naturally, the transaction of works of art will be affected, leading to the problem of difficult realization. "
it's the most common to buy back the artworks through bargaining in stores
"it's the easiest way to solve the problem of cashing out the artworks and sell them wherever you buy them." Mr. Chen, the head of Zhongbo Gallery, told reporters that many galleries now have bargaining buy back measures, so there is no need to worry about authenticity and valuation, so it is a very common market behavior“ For example, a few years ago, we sold works for 30000 yuan. This year, we buy them back for 60000 yuan. This is the most normal thing for galleries. "
Why are galleries willing to buy back? Mr. Chen explained that galleries and other stores, as the primary market of art circulation, mainly distribute the market value of creative achievements for artists. The investment function of artworks has graally become prominent, and the liquidity of collections has become extremely important. "Only when you buy can you sell. As long as it is a good work, there is a lot of room for appreciation. If the economic situation permits, we are willing to take back the works sold in the early stage at an appropriate price and sell them again. We earn this value-added price difference to develop ourselves. "
"things come from us, and we are already familiar with them, so we don't worry about buying them back." A shop owner of the Antique Street on rongmen road in Nanchang said that some people find it difficult to cash in, because they often have too high expectations for the appreciation of their works“ For example, a few years ago, he bought a work for 1000 yuan. When he saw that some similar works had risen to 10000 yuan at the auction, he wanted to let the gallery buy it back at the same price. That's a bit of fantasy. " He said that if it is realized at the original price or the reasonable price of the agreement, it is hard to get for most galleries
good things can be sent to auction houses
if they are works of art purchased from ancestors or private hands, how can they be realized
Yu Biao said that for high-end and high-quality works of art, it is a better way to send them to auction houses, which are fairer and fairer than other ways of cash flow“ Generally speaking, the works of well-known artists are more popular in the auction market with good circulation and high turnover and return rate. "
it is reported that with the rapid development of the art market in recent years, the auction price of art has been rising all the way. According to the latest data of Yachang art website [microblog], the price of many famous paintings has increased about 20 times per square foot compared with 10 years ago. At present, all kinds of auction companies constitute the main body of China's art secondary market. Most of the works of famous artists participate in the art auction, and the transaction price is relatively high, which can make the collectors realize the maximum income. Therefore, most collectors are willing to hand over the collected works of art to the auction company for operation
Yu Biao said that porcelain, calligraphy and painting are common in Jiangxi's auction market, and their prices range from tens of thousands to millions of yuan, but the auction cycle is long, usually about half a year. In addition, the auction house needs to pay a certain handling fee and catalogue fee, and investors also need to pay a certain proportion of Commission for the successful auction. This has also deterred many investors who collect minority artworks
cash in the market and circle of friends
besides auction, antique market and circle of friends are also feasible exit channels. Yu Biao told reporters that there will be irregular antique fairs in antique markets all over the country. Nanchang once a year, on September 28, also known as the instry gathering“ At that time, people from all over the country would come and mainly trade with their peers. Ordinary collectors could take advantage of this opportunity to cash in their works of art. "
if it's a low-end art, it can also be realized through the street stall Trade Fair of antique city every weekend morning“ Most of the stalls are made of new technology, and the level is relatively low. Each stall only needs to pay tens of yuan for a morning. " Yu Biao said that there was no lack of good things in the stall fair, and some collectors fell in love with "picking up leaks" there
in addition, private transactions in the circle of friends are also popular in Nanchang“ Generally, among acquaintances, we can reach a consensus on the price of a piece of art. " Mr. Zhang, a collector, said that private transactions eliminate a lot of cumbersome proceres and can be realized the fastest
Art pawn or blank
there is another channel for art realization, which is banks and pawnbrokers. When the time is urgent, they can choose to mortgage or realize art pawn. However, the risk of difficult identification, evaluation and lack of professionals has become the bottleneck of this business
the reporter learned that some big cities, such as Beijing, have tried to cash in art pawn. For example, in 2010, Huaxia pawnshop and Beijing Goethe [microblog] auction house launched the project of "art auction link". Collectors must sign agreements with pawnshop and auction company respectively, and then hand over the collection to auction company for auction, and get a loan from pawnshop. After the auction, the collector can repay the pawnbroker with the auction proceeds; If there is a flow, you can choose to redeem or absolutely when. At present, art pawn and mortgage are still blank in Jiangxi Province, and many pawnbrokers in Nanchang said they did not involve in the field of art pawn. Yu Biao believes that art is not an ordinary commodity, its value is only recognized by some markets, and it can only circulate among a small number of people
in addition, the lack of authoritative appraisal institutions is one of the reasons why pawnbrokers dare not easily set foot in it
comments
as the saying goes, gold in troubled times is collected in prosperous times. At present, people's enthusiasm for art collection and investment has reached an unprecedented height, and the investment function of art has been infinitely enlarged. In essence, the core value of art is culture. As an investment proct, there are many restrictions. Therefore, when collecting, we need to have more patience to understand the connotation and value of the collection, and clarify the various factors that affect the realization of the collection, so that we can be at ease in the process of collection and realization. To solve this problem, not only the efforts of collectors, but also the supervision of regulatory authorities are needed. For example, standardize the operation and trading places of artworks, establish and improve the collection identification and pricing mechanism, crack down on selling and selling fake artworks, and ensure the smooth trading channels of various artworks.
the reporter learned in the interview that at present, there are four main channels for the realization of artworks in Jiangxi market: store repurchase, auction, personal transaction and irregular antique market fair. However, in some big cities, the popular mortgage financing or pawn cash is still blank in our province<
with the expansion of art collection market, there are more and more ways for ordinary people to come into contact with the collection, and more and more channels to buy it. But when it comes time to sell the collection, there are also problems. Collectors will find it difficult to cash in what they buy
Mr. Liu is an ordinary collector. He didn't know anything about art. Later, because the stock market and the property market were cold, he began to pay attention to the art market. In the past two years, he has bought a lot of contemporary calligraphy and painting works on the recommendation of his friends. However, e to the rupture of the capital chain in business, he is in urgent need of selling a batch of artworks. However, when Mr. Liu wanted to cash his collection quickly, he found that it was not easy to find a suitable buyer. The price was lower than he expected
"why can't I get a good price when the price of the same kind of collection keeps going up?" Looking at the cold collection, Mr. Liu did not know how to "cash" it without loss
lack of experience and market information
Where is the difficulty in realizing artworks? Yu Biao, the owner of yunzhenzhai in tengwangge Antique City, a person in the Jiangxi collection instry, told reporters that the problem of cash difficulty is more in the new collectors“ For those who mainly rely on their eyesight and experience, it is difficult for new collectors to judge the quality of artworks when they sell them because of their lack of professional knowledge and experience. They often buy fake artworks or artworks with poor appearance, which are difficult to realize. " He said that the new collectors do not have enough knowledge of the trading mode and information of the market, so they will encounter difficulties in cash
"secondly, many people enter the field of art collection with speculative psychology, hoping that the things they buy will appreciate in value." Yu Biao said that there has always been a saying in the antique instry that "it will not open for three years, but it will be open for three years.". Collection is obviously a matter of great urgency. Eager for quick success and instant benefit is often the main reason for the difficulty in realizing the collection
the difficulty in realizing artworks also stems from the confusion of market prices. Although everyone's understanding of the value of art has some differences, after entering the market, they will refer to the opinions of professionals to form the corresponding market price“ However, at present, the collection market lacks the relevant authority to identify and evaluate the works of art, and the value cannot be determined or the identification is chaotic. Naturally, the transaction of works of art will be affected, leading to the problem of difficult realization. "
it's the most common to buy back the artworks through bargaining in stores
"it's the easiest way to solve the problem of cashing out the artworks and sell them wherever you buy them." Mr. Chen, the head of Zhongbo Gallery, told reporters that many galleries now have bargaining buy back measures, so there is no need to worry about authenticity and valuation, so it is a very common market behavior“ For example, a few years ago, we sold works for 30000 yuan. This year, we buy them back for 60000 yuan. This is the most normal thing for galleries. "
Why are galleries willing to buy back? Mr. Chen explained that galleries and other stores, as the primary market of art circulation, mainly distribute the market value of creative achievements for artists. The investment function of artworks has graally become prominent, and the liquidity of collections has become extremely important. "Only when you buy can you sell. As long as it is a good work, there is a lot of room for appreciation. If the economic situation permits, we are willing to take back the works sold in the early stage at an appropriate price and sell them again. We earn this value-added price difference to develop ourselves. "
"things come from us, and we are already familiar with them, so we don't worry about buying them back." A shop owner of the Antique Street on rongmen road in Nanchang said that some people find it difficult to cash in, because they often have too high expectations for the appreciation of their works“ For example, a few years ago, he bought a work for 1000 yuan. When he saw that some similar works had risen to 10000 yuan at the auction, he wanted to let the gallery buy it back at the same price. That's a bit of fantasy. " He said that if it is realized at the original price or the reasonable price of the agreement, it is hard to get for most galleries
good things can be sent to auction houses
if they are works of art purchased from ancestors or private hands, how can they be realized
Yu Biao said that for high-end and high-quality works of art, it is a better way to send them to auction houses, which are fairer and fairer than other ways of cash flow“ Generally speaking, the works of well-known artists are more popular in the auction market with good circulation and high turnover and return rate. "
it is reported that with the rapid development of the art market in recent years, the auction price of art has been rising all the way. According to the latest data of Yachang art website [microblog], the price of many famous paintings has increased about 20 times per square foot compared with 10 years ago. At present, all kinds of auction companies constitute the main body of China's art secondary market. Most of the works of famous artists participate in the art auction, and the transaction price is relatively high, which can make the collectors realize the maximum income. Therefore, most collectors are willing to hand over the collected works of art to the auction company for operation
Yu Biao said that porcelain, calligraphy and painting are common in Jiangxi's auction market, and their prices range from tens of thousands to millions of yuan, but the auction cycle is long, usually about half a year. In addition, the auction house needs to pay a certain handling fee and catalogue fee, and investors also need to pay a certain proportion of Commission for the successful auction. This has also deterred many investors who collect minority artworks
cash in the market and circle of friends
besides auction, antique market and circle of friends are also feasible exit channels. Yu Biao told reporters that there will be irregular antique fairs in antique markets all over the country. Nanchang once a year, on September 28, also known as the instry gathering“ At that time, people from all over the country would come and mainly trade with their peers. Ordinary collectors could take advantage of this opportunity to cash in their works of art. "
if it's a low-end art, it can also be realized through the street stall Trade Fair of antique city every weekend morning“ Most of the stalls are made of new technology, and the level is relatively low. Each stall only needs to pay tens of yuan for a morning. " Yu Biao said that there was no lack of good things in the stall fair, and some collectors fell in love with "picking up leaks" there
in addition, private transactions in the circle of friends are also popular in Nanchang“ Generally, among acquaintances, we can reach a consensus on the price of a piece of art. " Mr. Zhang, a collector, said that private transactions eliminate a lot of cumbersome proceres and can be realized the fastest
Art pawn or blank
there is another channel for art realization, which is banks and pawnbrokers. When the time is urgent, they can choose to mortgage or realize art pawn. However, the risk of difficult identification, evaluation and lack of professionals has become the bottleneck of this business
the reporter learned that some big cities, such as Beijing, have tried to cash in art pawn. For example, in 2010, Huaxia pawnshop and Beijing Goethe [microblog] auction house launched the project of "art auction link". Collectors must sign agreements with pawnshop and auction company respectively, and then hand over the collection to auction company for auction, and get a loan from pawnshop. After the auction, the collector can repay the pawnbroker with the auction proceeds; If there is a flow, you can choose to redeem or absolutely when. At present, art pawn and mortgage are still blank in Jiangxi Province, and many pawnbrokers in Nanchang said they did not involve in the field of art pawn. Yu Biao believes that art is not an ordinary commodity, its value is only recognized by some markets, and it can only circulate among a small number of people
in addition, the lack of authoritative appraisal institutions is one of the reasons why pawnbrokers dare not easily set foot in it
comments
as the saying goes, gold in troubled times is collected in prosperous times. At present, people's enthusiasm for art collection and investment has reached an unprecedented height, and the investment function of art has been infinitely enlarged. In essence, the core value of art is culture. As an investment proct, there are many restrictions. Therefore, when collecting, we need to have more patience to understand the connotation and value of the collection, and clarify the various factors that affect the realization of the collection, so that we can be at ease in the process of collection and realization. To solve this problem, not only the efforts of collectors, but also the supervision of regulatory authorities are needed. For example, standardize the operation and trading places of artworks, establish and improve the collection identification and pricing mechanism, crack down on selling and selling fake artworks, and ensure the smooth trading channels of various artworks.
5. Yes, I was cheated by Guangzhou Baohong cultural art company! They began to say that someone took a fancy to my money and paid a deposit of 100000 yuan! If it's a downflow, share his 100000 yuan deposit with their company. Half for one, he didn't even refund the service fee at last! They are full of big liars. I'm going to sue their company. Please don't believe their company! Remember!
6. This company may be cheating, but it can't be said that this kind of company is cheating. Every instry has so-called hidden rules. Be careful. Give you a suggestion, go to the relevant official agencies to ask about the situation.
7. Works of art generally refer to works of plastic arts. General works of art can be regarded as containing two elements: one is the combination of line, shape, color, light, sound and tone, which is commonly called "formal element" or "direct element"; One is the subject matter, which is often called "the element of expression" or "the element of association"
as a kind of special commodity, cultural art has the basic attributes of commodity: use value and value. As a commodity, art works are different from ordinary commodities. The use value is not expressed as a material tool, but in the spirit and culture to meet people's aesthetic and spiritual needs. Therefore, people's subjective factors will play a decisive role in the formation of the use value of art. The value of artworks is still the undifferentiated human labor condensed in it. As the market currency expression of its value, the price of artworks reflects the exchange ratio between them and the commercial recognition of the market for the value of artworks. It is mainly determined by the value created by the artist's own labor and the contradiction between supply and demand in the artworks market. However, e to the autonomy, indiviality, creativity and non repeatability of art creation, it is different from the mass proction of general commodities. In terms of creation process and creation time, the formation of art value is also uncertain in advance. Therefore, art can be called free spiritual proction, which can not be completely equivalent to general commodities.
as a kind of special commodity, cultural art has the basic attributes of commodity: use value and value. As a commodity, art works are different from ordinary commodities. The use value is not expressed as a material tool, but in the spirit and culture to meet people's aesthetic and spiritual needs. Therefore, people's subjective factors will play a decisive role in the formation of the use value of art. The value of artworks is still the undifferentiated human labor condensed in it. As the market currency expression of its value, the price of artworks reflects the exchange ratio between them and the commercial recognition of the market for the value of artworks. It is mainly determined by the value created by the artist's own labor and the contradiction between supply and demand in the artworks market. However, e to the autonomy, indiviality, creativity and non repeatability of art creation, it is different from the mass proction of general commodities. In terms of creation process and creation time, the formation of art value is also uncertain in advance. Therefore, art can be called free spiritual proction, which can not be completely equivalent to general commodities.
8. Hello, now the main ways of cultural art are as follows:
a modern painting and calligraphy, mainly galleries, auction houses, private transactions, art fairs
modern jade carving, porcelain, and other works of art are almost the same, mainly art fairs,
auction houses, pawn shops, private transactions
hope the answer is helpful to you, hope to adopt it as a satisfactory answer, thank you
a modern painting and calligraphy, mainly galleries, auction houses, private transactions, art fairs
modern jade carving, porcelain, and other works of art are almost the same, mainly art fairs,
auction houses, pawn shops, private transactions
hope the answer is helpful to you, hope to adopt it as a satisfactory answer, thank you
9. The form of expression of the use value of art goods is different from that of general goods. The use value of general commodity is always closely related to its material form. When it comes to its use value, it also refers to the thing itself. Although the external form of the use value of art goods is a certain thing, its essence is the aesthetic experience hidden behind the thing, which can change the material into the spirit through the role of human brain. The form and content of use value are in a dissociative state, which is a unique phenomenon of art goods
thirdly, the value of art goods is the condensation of artistic labor in the process of artistic creation, which is a kind of materialized labor just like general goods
if art procts want to be exchanged with other procts, there must be a measure of quantity, which is value. The value of art commodity is a series of activities of art creation condensed in procts, including creativity, material selection, conception, art refining, image shaping, emotion conveying, work structure, application skills, etc. Although these creative processes are not embodied in a material way, they are embodied in material procts and play a decisive role in the quality and value of an artistic work (proct). This kind of artistic labor hidden behind the works is not only the substance of the goods, but also the basis of the value scale of the goods participating in the market exchange. The more complex the labor contained in a work of art, the greater its value, and vice versa. All artistic procts, whether simple or complex, large or small in scale, are the result of some kind of artistic labor, reflecting the artistic creation process of artistic workers. Even "pure natural" material works of art, such as stones, tree roots, corals and shellfish, also contain the labor process of art, that is, a unique artistic discovery“ "Discovery" itself contains a kind of creation, so it also has value
however, the value of art is also a very complex issue, such as the uniqueness of the way to realize the value of art, the cultural transformation and precipitation of art procts, the serious dislocation and deviation between price and value, and the relationship between the realistic value and historical value of art works. It is difficult to make it clear in one or two sentences, and all of them need to be discussed in a special article. But the value of art commodity, as Marx said, is determined by the abstract labor of procing this commodity
of course, for a variety of reasons (for example, it takes a long time to understand the value of excellent works of art, sometimes even a long time; Then, in the process of market exchange, artists' labor is often ruthlessly and deliberately deprived by art brokers and businessmen. There are also works of art as ideology, sometimes in conflict with the dominant ideology, temporarily unable to get the normal way of realization. Finally, there is a surprising deviation between the value and price of some artworks.
thirdly, the value of art goods is the condensation of artistic labor in the process of artistic creation, which is a kind of materialized labor just like general goods
if art procts want to be exchanged with other procts, there must be a measure of quantity, which is value. The value of art commodity is a series of activities of art creation condensed in procts, including creativity, material selection, conception, art refining, image shaping, emotion conveying, work structure, application skills, etc. Although these creative processes are not embodied in a material way, they are embodied in material procts and play a decisive role in the quality and value of an artistic work (proct). This kind of artistic labor hidden behind the works is not only the substance of the goods, but also the basis of the value scale of the goods participating in the market exchange. The more complex the labor contained in a work of art, the greater its value, and vice versa. All artistic procts, whether simple or complex, large or small in scale, are the result of some kind of artistic labor, reflecting the artistic creation process of artistic workers. Even "pure natural" material works of art, such as stones, tree roots, corals and shellfish, also contain the labor process of art, that is, a unique artistic discovery“ "Discovery" itself contains a kind of creation, so it also has value
however, the value of art is also a very complex issue, such as the uniqueness of the way to realize the value of art, the cultural transformation and precipitation of art procts, the serious dislocation and deviation between price and value, and the relationship between the realistic value and historical value of art works. It is difficult to make it clear in one or two sentences, and all of them need to be discussed in a special article. But the value of art commodity, as Marx said, is determined by the abstract labor of procing this commodity
of course, for a variety of reasons (for example, it takes a long time to understand the value of excellent works of art, sometimes even a long time; Then, in the process of market exchange, artists' labor is often ruthlessly and deliberately deprived by art brokers and businessmen. There are also works of art as ideology, sometimes in conflict with the dominant ideology, temporarily unable to get the normal way of realization. Finally, there is a surprising deviation between the value and price of some artworks.
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